| In the past,
on her wedding day, the bride always went from her own home
to her marital home in a bridal sedan chair. The moment she
got in the sedan chair meant the beginning of the wedding
ceremony, and also a turning point in a woman's life. Later,
the bridal sedan chair gradually disappeared from weddings
and revolutionary changes took place.
In the past, brides went from their own home to that of their
new mothers-in-law by the bridal sedan chair. If you have
watched the film Red Sorghum, directed by Zhang Yimou, you
may still remember the scene when Gong Li, the leading female
actress, was being carried in a bridal sedan chair in the
middle of the wedding procession. Getting into the bridal
sedan chair is the beginning of a traditional wedding and
at the same time a turning point of a woman's life. In the
beginning of the 20th century, the Han people's weddings still
followed this tradition.
Weddings at the Turn of the Era
Traditionally,
the parents and matchmakers arranged marriages. Many new couples
saw their spouses the first time at the wedding ceremony when
the bridal veil was lifted. A traditional wedding consists
of a serial of complicated procedures and various formalities.
Due to space limitations, only the rite of the first day of
the wedding will be referred to here.
Before the wedding, the members of the bridegroom's family
would set up a decorated archway, put up antithetical couplets
and the word meaning "double happiness", and prepare
the sedan chair for collecting the bride. On the day, the
bride, wearing a red padded coat, red skirt, phoenix coronet
and embroidered tasseled cape and red bridal veil, was carried
to the groom's home in a bridal sedan chair, escorted by the
best man, bridesmaid and bridegroom, who would normally be
riding on a horse. Before entering the male side's home, the
sedan chair should be carried over a brazier in the courtyard,
praying for a prosperous life. Holding a vase in her arms,
the bride got off the sedan chair and strode over a saddle
on the ground (the pronunciation of these two things: vase
and saddle, are the same as that of "smooth and safe"
in Chinese). Inside the bridal chamber, the couple sat shoulder
by shoulder on the bed while people spread it bed with peanuts,
longans, dates and chestnuts. The pronunciation of these four
things together means °having babies early±. Then,
the bridegroom lifted the bride's veil and both drank from
wine cups with their hands crossed. They then kowtowed to
the ancestors' tablets of both families, and then to the parents,
before meeting met with other relatives and friends and distributing
sweets to the younger generation. The wedding festivities
lasted till midnight.
By the end of the 19th century and beginning of the 20th century,
with the introduction of the advanced ideologies into China
from the West, some young people began to break boldly through
the yoke of the traditional marriage and made the declaration
for freedom within then marriage. After the first wife of
Cai Yuanpei, a famous educator in modern Chinese history,
died of disease in 1900, many people acted as go-betweens
for him, at a time when he was the supervisor of a school
in Shaoxing, in Zhejiang Province. Refusing all the attentions
of go-betweens, Cai Yuanpei published a notice seeking a life
partner. The conditions for the marriage listed in his notice
included: the woman was not to have bound-feet; she should
know how to read and write; the man should not take concubines;
the woman could remarry if her husband died; divorce should
be possible if the man and woman felt they were incompatible.
This notice was nothing but a manifesto of new ideology. On
January 1, 1902, Cai Yuanpei finally achieved what he wished
and held a new style wedding with Huang Zhongyu, an educated
woman with unbound feet from Jiangxi. Instead of the tedious
old wedding ceremonies, he made a speech to the guests speaking
glowingly of the idea of equality between the sexes.
China in 1919 saw the emergence of the May 4th Movement and
the New Culture Movement. Science, democracy and patriotism
were the loudest slogans at the time. Men and women contacted
openly and dated by their own choice. The hottest topic in
discussions in newspapers was the idea of freedom in marriage.
In Changsha, Hunan, a young woman, Zhao Wuzen, had been selected
to be wife of the owner of an antique shop, Wu Fenglin. Zhao
was bitterly opposed to the idea, but her parents ignored
all her protestations. On the wedding day, she got into the
bridal sedan chair with a concealed knife. When it was only
in a short distance from the groom's home, she cut her throat
with the knife, her resulting death striking a blow against
the idea of arranged marriage. The new appeared in various
newspapers and magazines in Changsha the next day and there
was a public outcry. In his article, Mao Zedong (late Chairman)
pointed out that the cause of this event was the rotten marital
system and the dark social system.
Pioneers' Wedding
In the beginning of the 20th century, among the intellectuals
or pioneers who had accepted Western ideas and concepts and
devoted themselves to the revolution, the ideal of democracy
and republicanism, there were many young men and women who
loved each other, had common goals and enjoyed equality between
the sexes. No matter whether their weddings were simple or
luxurious, they had no bridal sedan chairs and no traditional
ceremonies. Instead, they liked to choose the style they were
fond of.
In 1914, following a setback in the republican revolution,
the great Nationalist leader Mr. Sun Yat-sen
stayed temporarily in Tokyo. Soong Ching-ling, then 22 years
old, took over from her married sister and worked as Sun's
English secretary. Soong had followed Sun at an early age
and devoted herself to the democratic revolutionary course
and respected and loved Sun very much. Soon after they began
working together, Soong Ching-ling decided to marry to him.
On October 25, 1915, they signed the pledge for their marriage
in a ceremony in Tokyo. They shared weal and woe together
for 10 years. After Mr. Sun Yat-sen passed away, Soong Ching-ling
took on his uncompleted work.
Xiang Jingyu was a pioneer of the Chinese women's movement.
In 1920, she went to France to work and study, where she met
Cai Hesen, one of the founders of the Communist Party of China.
They fell in love, and their simple wedding was held in a
small wooden schoolhouse. Dozens of Chinese students joined
in the wedding, congratulating them enthusiastically for their
free marriage and reciting the poem they wrote together, the
Alliance of Xiang and Cai. In the photo they sent back to
their home, the two sat close together holding an opened book
by Karl Marx, On Capital, a proof that their marriage was
based on the common belief in the Marxism.
Wedding During the Years of Revolution and Wars
Mentioning
weddings during this period, the most moving one was that
of Zhou Wenyong and his assistant Chen Tiejun, held on the
execution ground. One of the leaders of the workers¯
movement in Guangzhou, Zhou Wenyong was arrested during a
demonstration. Chen Tiejun and other comrades broke into the
jail and rescued him, however. In 1927, to prepare for the
Guangzhou Uprising, Zhou and Chen were asked by the party
organization to set up an office for secret work under cover
of being husband and wife. In the work, Zhou got much help
from Chen so he respected her and loved her gradually. But
they both had adhered to the pure relationship between comrades.
In 1928, after the failure of the Guangzhou Uprising, Zhou
Wenyong and Chen Tiejun were both arrested, having been betrayed
by a traitor. In prison, they remained faithful and unyielding.
Just before their death sentence was executed, Zhou Wenyong
asked to have a photo together with Chen Tiejun and declared
that they would have a wedding at the time."Let the sound
of reactionaries"guns act as our wedding salvos!±
Chen Tiejun said fearlessly in the last minute of her life.
In the winter of 1929, Gu Bai, an early revolutionary activist
of the CPC and Zeng Biyi, a female guerilla from Guangdong,
decided to marry and invited all their guerrillas to come
to a tea party at the revolutionary base. When Mao Zedong
heard of this, he sent people to tell the new couple that
he wanted them to have a grand wedding. "You should post
your marriage declarations everywhere to let all the people
of the county know our CPC's marriage policy: free courtship
and monogamy. Taking Mao's suggestion, Gu Bai and Zeng Biyi
posted many "marriage declarations" on the walls
of the vital communication lines and then held a simple but
bustling bonfire wedding. This exerted a great influence in
the local area.
In 1937, a woman came to Shanghai from Sichuan to find her
fianc¦, in the hope he would return home with her and
consummate their marriage. But this was just at the moment
when the Japanese invaders launched an aggressive war on China
and Shanghai was in the forefront of the action. At a time
when the CPC and Kuomintang were cooperating to resist the
Japanese together, how could red-blooded youths return to
the rear area of Sichuan for marriage? Finally, the two decided
to get married in Shanghai. The wedding was held in a grand
hotel; an intimate friend of the couple acted as the master
of ceremonies. But, instead of gaiety and laughter, every
one appeared solemn during the ceremony. The bridegroom returned
to work soon after the wedding and the bride also joined in
the ambulance corps taking care of the wounded soldiers for
the Chinese anti-Japanese armies.
Collective Weddings
In some large cities such as Shanghai in the 1930s, a new-style
wedding was in vogue. The propose of
the collective wedding put forward by the Shanghai Bureau
of Society attracted a large number of young people who were
going to marry. The first collective wedding was held on the
afternoon of April 3, 1935 in the assembly hall of the Shanghai
Municipal Government. In all 57 new couples took part. The
bridegrooms were all in blue long gowns and black mandarin
jackets while the brides were all in pink satin qipao, white
wedding veils, holding bunches of fresh flowers. This wedding
attracted the whole town to turn out to watch, and the whole
process was filmed and shown in all cinemas in the city. Many
people in many cities followed suit after that. Five group
weddings were held in Shanghai in that year, involving 399
couples.
By the 1940s, collective wedding gradually took place of old
and traditional wedding ceremonies. In 1947, in the wedding
of this kind in Nanjing, brides and grooms came into an auditorium
in two lines. After the ceremony, now socially recognized
as couples, they walked down the steps out of the hall in
pairs, arm in arm. Though a number of new style weddings were
held in cities, they always attracted crowds of onlookers.
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